s8 and be square

"f/8 and be there" promises readiness at any aperture. This project swaps the terms: 1/8 of a second, always.

At that speed you stop thinking about sharpness, about megapixels, about getting it "right." Light drags, motion blurs, the frame becomes a rectangle or a square and you work within it. It's a different way of looking — less about capturing and more about letting things happen.